Night World : Witchlight Chapter 18

The ride to Charlotte passed in a blur. All Keller could remember was hanging on while Nissa did some of the wildest driving she'd ever experienced. They went offroad for a good deal of the way. It was one minute to midnight when they squealed into a parking lot in front of a long, low building. â€Å"Go in, go in!† Nissa said, slamming to a stop in front of a set of double doors. Keller and Galen and Winnie and Iliana ran. They burst into a large room that seemed very brightly lit. A sea of chairs with bodies sitting in them swam in front of Keller's eyes. Then she focused on a platform at the front. â€Å"Come on,† she said tersely. There were a number of people sitting at a table on the platform, facing the audience just like any ordinary panel, with glasses of water and microphones in front of them. But Keller recognized some of the people as she got closer, and they were anything but ordinary. That little dumpling-shaped woman with the round face was Mother Cybele. Mother of all the Witches, just as Grandma Harman had been Crone. With Grandma Harman dead, she was the witches' leader. The tall girl with the lovely features and the cafe au lait skin who sat beside her was Aradia. The blind Maiden of the Witches mentioned in the prophecies. And that regal-looking man with the golden hair and beard, sitting by the queenly woman with flashing green eyes†¦ They could only be the leaders of the First House of the shapeshifters. Galen's mother and father. There were others, too, important people from Circle Daybreak, but Keller didn't have time to focus on them. Mother Cybele was on her feet and speaking. She must have been a little short-sighted, because she didn't appear to see Keller and the others coming up on the side. Her voice was slow and concerned. â€Å"I'm afraid that since it's now past midnight-â€Å" Keller glanced at her watch. â€Å"It's just midnight now!† Mother Cybele looked up, startled, over her glasses. Every head on the panel turned. And every face in the audience was suddenly fixed on Keller's group. A low murmur like the humming of bees began, but it swelled very quickly to something like a muted roar. People were pointing openly as Keller ran up the steps to the stage. She glanced back at the others and realized why. They were a pretty sad-looking bunch. Every one of them was dirty and ragged. Winnie's strawberry-blond hair was dark red with blood on one side. Galen's sweater was in shreds. And she herself was filthy from the tunnel and all the dirt she'd encountered in the clearing. Only Diana looked reasonably clean, and that was probably because the glow kept you from focusing too closely. Mother Cybele gave a little cry of joy that sounded quite young, and she dropped the index cards she'd been holding. Aradia stood up, her beautiful blank eyes turned toward them, her entire face shining with joy. Galen's parents looked extremely startled and relieved. But some guy in a dark suit grabbed Keller's arm as she reached the top of the steps. â€Å"Who are you supposed to be?† he said. Keller shook him off and stood with her hair swirling around her. â€Å"We're the people who're bringing you the Wild Power,† she said. She spotted Nissa just coming in the door and beckoned to her. â€Å"And we're also the ones who killed the dragon.† The big room fell so silent that you could have heard a paper clip drop. â€Å"Well, actually, she killed the dragon,† Keller said, pointing to Diana. Aradia said in a hushed voice, â€Å"The Witch Child. She's come to us.† Iliana walked slowly up onto the stage and stood straight. â€Å"I didn't kill it alone,† she said. â€Å"Everybody helped, and especially Keller and Galen.† Galen's father's golden eyebrows went up, and Galen's mother gripped her husband's arm. Keller glanced sideways at Galen and saw that he was blushing. â€Å"They fought it and fought it until they were both almost dead. But then, when I used the blue fire, they got better again.† She said it so simply, speaking to Mother Cybele alone, or so it seemed. She didn't look in the least self-conscious, or in the least arrogant. I suppose she's used to having everybody looking at her, Keller thought. Mother Cybele actually clasped her little soft hands together and shut her eyes. When she opened them again, they were shining with tears. But all she said was, â€Å"Welcome, my child. Grandma Harman's last words were for you. She hoped you would find your power.† â€Å"She did,† Keller said. â€Å"Winnie helped her.† I didn't help her do that,† Winnie said candidly. â€Å"What she did back there and what she said. I just tried to show her how to use the orange fire. But when she started talking-† She shook her curly head. â€Å"I don't know where she got all that stuff about Hecate.† ‘It just came to me,† Iliana said. â€Å"I don't know. It was as if somebody was saying it to me, and I was just repeating it.† But who could have said it? Keller thought. Who else but somebody who was there the first time, when the dragons were put to sleep? Who else but Hecate Witch-Queen herself? Even though she'd been dead thirty thousand years. It's time for everything that's sleeping to wake back up again. Keller realized that she was hearing a noise from the crowd. At first, she thought that they were muttering in disbelief again, or maybe in annoyance at these people who were standing on the stage and chattering. Then it got louder and louder, and she realized it was applause. People were clapping and cheering and whistling. It was echoing off the ceiling and walls. And just when Keller thought it couldn't possibly get any louder, a new wave would come and prove her wrong. It took a long time for Mother Cybele to get them all quieted down. Then she turned to Keller and said formally, â€Å"So you've completed your mission?† Keller realized that it was a cue. And in the midst of the dizzy happiness she'd been feeling, something twisted in her heart. She kept it from showing on her face. She kept herself standing erect. â€Å"Yes,† she said to Mother Cybele. â€Å"I've brought the Witch Child.† She swallowed hard. â€Å"And here is the son of the First House of the shapeshifters,† Galen's father said. He stepped over to Galen and took his hand. His face was stern but glowing with pride. Galen's face was pale but set. He looked at Keller-for just one moment. And then he looked straight out at the audience with unseeing eyes. Mother Cybele looked toward Iliana. To take her hand, Keller supposed, and join it with Galen's. But Iliana was holding some whispered conversation with Aradia. When she finally turned around, Iliana said, ‘1 want Keller to do it. She's the one responsible for all this.† Keller blinked. Her throat was so swollen, it was impossible to swallow again. But she wouldn't have thought it of Iliana. Really, it seemed so pointlessly cruel to make her do it. But maybe she doesn't understand. That's it, she doesn't realize, Keller thought. She let out a careful, shaky breath and said, â€Å"Okay.† She reached for Diana's hand- And felt a stab in her palm. She looked down, astonished. Iliana had a knife in that hand, a perfectly serviceable little knife. She had cut Keller with it, and Keller was bleeding. In fact, Iliana seemed to be bleeding, too. â€Å"Sorry,† Iliana hissed. â€Å"Ick, I hate blood.† Then, grabbing Keller's hand again, she faced the audience and raised it up high. â€Å"There!† she said. â€Å"Now we're blood sisters. And she's already been like a sister to me, because she saved my life over and over. And if that's not good enough for an alliance between the witches and the shapeshifters, I don't know what is.† The entire audience gaped at her. Mother Cybele blinked rapidly. â€Å"Are you saying†¦Ã¢â‚¬  Galen's father looked incredulous. â€Å"Are you saying that you won't marry my son?† â€Å"I'm saying that she ought to marry your son- or promise to him, or whatever they want. She's the one he's in love with. And I don't see why you should make him miserable for his whole life just because you want the shapeshifters tied to the witches. Keller and I are tied together, and we always will be. And Galen, too. Why can't that be enough?† A sound was starting from the crowd again. Keller's heart seemed to soar on it. But she was still staring at Iliana, afraid to believe. â€Å"But†¦ what if the witches don't agree to it?† Galen's father said feebly. Iliana stamped her foot She actually did. Tm the Witch Child. They'd better listen to me. I didn't go through all of this for nothing.† Then the crowd was thundering applause even louder than before, and the wave seemed to sweep Keller right into Galen's arms. Sometime later, in the middle of a lot of hugging and kissing, Keller whispered to Iliana, â€Å"Are you sure?† ‘Td better be sure, don't you think? Or Galen's going to be pretty upset.† â€Å"Iliana-â€Å" ‘Tm sure,† Iliana whispered. She squeezed Keller. â€Å"I really do care about him. I guess I'm sort of in love with him, too. But I saw. I saw his face in the clearing when he thought you were dead. And I heard the way he said your name. And then†¦ I knew, you know? The two of you were meant to be. So I'm sure.† â€Å"A leopard?† Galen's mother said, shaking out her topaz-colored hair. â€Å"Why, dear, that's wonderful. Your great-great-grandmother was a leopard.† â€Å"You gave up being a bird for me,† Keller whispered in his ear. â€Å"I think I could learn to like running,† he murmured, and took the chance to touch his lips to her cheek. â€Å"No, ma'am, I'm really sorry I woke you up,† Keller said. â€Å"Yes, ma'am, I do know how late it is.† She strained to hear the voice on the other end of the phone. She had a finger in her ear to try and block out the noise of the wild celebration around her, but it wasn't doing much good. â€Å"Because I honestly don't think it's funny,† Diana's mother said. â€Å"The baby is just fine; he's been in his bed all night. Why would you think he wasn't?† â€Å"Well, ma'am, it's hard to explain†¦Ã¢â‚¬  â€Å"And now he's awake, and he's going to start crying-well, he's not crying. But now he wants to eat the phone†¦ Alex!† A voice on the other end squealed and said distinctly, â€Å"Kee-kee!† â€Å"Yeah, it's Kee-kee,† Keller said, startled. â€Å"Um, I'm glad you're okay, kid. And, see, I didn't go bye-bye after all. So you may think you're pretty smart, but you still have something to learn about precognition, hotshot. Right?† Keller added, â€Å"You know I thought for a minute once that you might be the Wild Power. But I guess you're just a good old-fashioned witch baby.† Diana, who was passing by, gave her a very strange look. â€Å"Keller, are you having a conversation with my baby brother?† â€Å"What exactly did the dragon say?† Mother Cybele asked anxiously. Although she looked like a big dove and her eyes were always kind, there was a firmness about her plump chin that Keller liked. â€Å"I asked who woke him up. And he said†-Keller reached for the exact words-â€Å"he said, ‘Someone you'll never know. A witch who isn't a witch. We made our own alliance.'† â€Å"A witch who isn't a witch,† Mother Cybele repeated. Aradia's face was sober. ‘I wonder who that could be. And where they are now.† Mother Cybele said quietly, â€Å"Time will tell.† â€Å"The police are already inside,† Nissa said, holding the cell phone to her ear as she talked to Keller. â€Å"I guess the kids at the party called them when they saw a panther. They've found the family†¦ Mr. and Ms. Ashton-Hughes and Jaime and Brett. They're taking them to the hospital.† She snapped the phone shut. â€Å"We'd better send some witches to the hospital. But as long as they're alive, they have a pretty good chance, don't you think? After all, we've got a Wild Power with healing fire. Now, can't you relax and try to enjoy yourself?† It was two days later. Keller was sitting in a sunny alcove in the safe house where Hiana and Galen and the others had been brought to protect them from the Night World. And to give them a chance to recover. It was nice to be still for a while. To sit and read†¦ and think. And it was even nicer to be able to do it with Galen around. He came in the door quietly-he always moved cat-quietly now. She smiled at him. He looked so wonderfully dear with his golden hair and fairytale looks and leopard-green eyes. â€Å"I wrote you a poem,† he said, sitting down beside her. â€Å"Well, no, that's not true. I kind of stole what your mother wrote and made it into†¦ something. I don't know what. But I think maybe it's what she really meant to say, after all.† Keller blinked at him, then looked down at the piece of paper he gave her. People die†¦ so love them every day. Beauty fades†¦ so look before it's gone. Love changes†¦ but not the love you give. And if you love, you'll never be alone. â€Å"Actually, I was going to say, ‘And you will always be alone†¦ so don't rely on others for your happiness, but don't stop loving, either, because then you'll end up empty and alone instead of alone and strong and able to give without worrying about what you're going to get back.' But that was kind of long, and it didn't scan,† he said. Keller stared down at the paper blindly. â€Å"I'm sorry,† he said. â€Å"If you don't like it-â€Å" Keller threw her arms around him, and her tears spilled over. â€Å"I'm going to burn the other one,† she said. â€Å"And I love you. Kiss me.† He grinned. â€Å"Yes, Boss.† And he did. One from the land of kings long forgotten; One from the hearth which still holds the spark; One from the Day World where two eyes are watching; One from the twilight to be one with the dark..

Varsha

REPORT WRITING ABCD ABCD, the technical symposium, held true to its tagline- The best there was, the best there is, the best there ever will be. A throng of students from various colleges flocking the campus. The able coordinators led them through registration and to the paper presentation event which kicked off the day long extravaganza. The quizzing event had numerous students attending the preliminary event but only a few reached the final. The final was a nail-biting experience with cut-throat competition and a tie break win.Being from the computer science department, the students proved their mettle in the code debugging event, which was lauded by all the participants as an out of the ordinary approach to the competition. Mobile app development and digital art gave an opportunity for non-programmers. We also had non-technical events like Dumb charades and Adzap where students channelled their inner actor. Shipwreck and JAM events attracted many. The greatest hit however was full toss, an indoor version of cricket, the surprise event of the day.The success that we saw was not without reason. So, it would only be befitting to mention the long but rewarding journey behind it. The planning started out small, with the class representatives drawing up the budgets. Soon, all the students were pitching in with the organization of Kranti. Procuring sponsorship for the event was a revelation of sorts. We learnt a hard lesson that every rupee has to be earned and nothing comes free. Despite the scoffs, refusals, doors shut on our faces, we managed to get a whooping amount of two lakhs.The event brought out a whole new creative side of the students hidden behind a facade` of technical expertise. The walls were laced with authentic Indian art like warli and madhubani paintings. The boys erected a look-alike model of the Vivekananda memorial- a fitting centrepiece. The official website of abcd was built from scratch by our in-house technocrats. The state of the art crea tion showcased our theme beautifully and enabled students to register online. The experience taught us to work as a team and we came to respect each other.We played off each other’s strengths while respecting our own shortcomings. This resulted in an efficient and organised event that went along without a hitch right up to the valedictory function. Participants filing out, the charts pulled down, furniture restored to their normal arrangement- the day was coming to an end. We were swarmed with a multitude of emotions. Relieved the event was over, euphoric the event was a success, sore to our every last bone, a little sad that life was back to normal, one thought unified us all- the day was going to be etched in our minds forever as the epitome of our college life.

Philip Pearlstein Two Models with Blow-Up Chair & Salvador Dali Essay

Through the development of art, the fascination of the female body has been a main motif. It is Venus, Roman Goddess of love who has intrigued the artist, and held their attention for well over a few centuries. She has been not only Venus, but also Aphrodite (the Greek Goddess of Love), she has been Mary, mother of Christ in Gothic tradition and she had been found in the countless faces of women depicted by Picasso, Monet, Degas, Warhol (for isn’t Monroe a goddess? ). The link in these references is that this goddess, whomever she is, is holding the fascination of male artist. This is not to say that female artists have not taken up the trend which she invokes, but the purpose here is to discover how differently she is seen through their eyes in comparison with male visions of ‘love’. Pearlstein’s innovation in completing this project is one of Modernism, mixed with Realism. Pearlstein paints an oil painting of two females. They appear plastic wrapped within the canvas due to the severe highlights Pearlstein applies to both of their bodies. They lay beside each other, one on the chair the other next to the chair, and they both appear to be asleep. These two models or Venus’ are full frontal nude. The viewer is unable to see if they are ashamed or not from their faces because one of them is hiding her face and the other one’s head extends beyond the canvas (this is a trademark of Pearlstein). Though both Venus’ are or appear asleep they are active with the coloring and highlights which Pearlstein has seen fit to attribute to them. The line of light glares down the frontal figures body, highlighting the left breast, the stomach wrinkles and over the curves of both of the legs. This mimics the curves and highlights given to the plastic chair which she ‘sleeps’ upon. The other model fades into the background, yet still has that tiny shot of highlight upon the same appendages and other body parts which the first Venus had on her. The interesting item in this painting is that there are two female figures being painted. This is coupled with the fact that here too, like all the ones before it, Venus is apathetic, or at best the viewer is unable to tell what she (they) are feeling. Never mind the composition, Venus is still without a ‘voice’ in this painting. Through the very brief glimpse of feminine fecundity, and pulchritude, Venus remains elusive, and stoic. It has taken the art movement of the 20th century to see the full force of Venus. She has, with the help of female artists, broken her silence. In Dali’s oil on canvas The Persistence of Memory (1913) the theme of paranoia is persistent in this dreamscape. The distortion of the piece exudes a frightening use of spatial mobility and form. Surrealism is a way in which the expression of fantasy can be forthcoming in the world of Art. Dali exemplifies this notion in his use of foreground and background shapes and the pure psychic automatism which is symbolized in the clocks. Dali’s focus in this work is mainly about freedom; although the context of this work is based on paranoia and the weightiness of time the work is also free from previous constraints of other artistic movements in that it is not a painting dedicated to reason or moral purpose. Dali’s painting is that of a dream and reason becomes a series of disjointed objects in space; there is no rhyme in his work unless it is free verse; that is to say that there is no structure as prior to surrealism the viewer is used to seeing structure. Dali’s work often reflect what Virginia Woolf was so diligently experimenting with, which is unconscious writing or free narrative. Dali painted as though the conscious mind was sleeping, and that is why his paintings are so often reminiscent of dreams as Janson states, â€Å"The notion that adream can be transposed by ‘automatiatic handwriting; directly from the unconscious mind to the canvas, bypassing the conscious awareness of the artist, did not work in practice. Some degree of control was unavoidable. Nevertheless, Surrealism stimulated several novel techniques for soliciting and exploiting chance effects† (Janson â€Å"The History of Art 807) . Even the central figure in The Persistence of Memory is portrayed as though it were sleeping. The unfinished background is almost anachronistic with the foreground as it exhibits a cliff sliding off into a body of water. It seems as though Dali made the background on purpose to confuse the viewer since dreams are intended to be symbolic of personal meaning. The sky in the background also seems incomplete with no visible clouds but merely a color palette that drifts off into a sfumato haze. The background however is not what Dali wanted the viewer to be stricken with as a first impression. The central figure of the painting is unfinished as well. Dali painted an eyeball, and a nose and made no more attention to the rest of the figure. This feeling of incompleteness is unnerving and truly embodies the emotional state and perception of dreaming. The painting is purely inspired by that part of Dali’s unconscious mind. Although the painting exhibits that Dali used controlled in certain aspects of the work such as the use of diagonals, and linear shapes, but the overall impression of the painting lies within the angles, the objects and the general ambience of the piece. The clocks themselves prove to be unnerving both their positions and their lack of solid form, as though they are oozing across the plane in the foreground and the limb near the horizon of the painting, as well as across the half finished face. Another artistic ploy that Dali uses in The Persistence of Memory is his use of shadow; not merely darkness but the chiaroscuro so prevalent in the piece. This furthers the theory of this paper that Dali uses surrealism to tap into the unconscious and the dream world. Dali does the opposite in this painting of previous artists; he places the darkness in the foreground of the painting and the brightness in the background. This is symbolic because Dali wants to evoke to the audience that in the dream world the objects that are in front of the dreamer’s face are not always tangible but looming and undefined. In the background the objects are illuminated but this illumination does not add in defining the object because Dali here uses space to further illustrate his unconscious perspective; the objects in the background are too far away and cannot be seen. Thus, each part of the painting is uncomfortably defined. It is almost nonsensical; these objects of Dali’s in space without a coherent theme except for these persistence clocks. The clocks are the main meaning and focus of the painting and it is through these objects that the theory of this paper rests. The clocks present the theme of paranoia (as mentioned prior). Not only are they draped over the main objects in the foreground but their rendering is disconcerting. Each clock offers a different time, and one clock is closed so that the viewer cannot decipher its time. It is interesting that Dali did not distort the closed clock; it signifies a secret and further exemplifies the state of the dream world present in this painting; that is, the one clock that could offer a valid time is closed and unable to be seen by the painter, or the audience. The contention in the painting is that the central figure of the face is sleeping and is thus oblivious to the clocks, to time, to the unfinished landscape. That is the quintessential meaning of a dream; the sleeping figure is unaware to symbolism, to action, to time, and that is how Dali exudes incoherence in the dream world.

Managing Change Essay Example | Topics and Well Written Essays - 3500 words

Managing Change - Essay Example Introduction and Overview The University of Bradford is a traditional British University  established by Royal charter in 1966. There are around 12,000 students studying at the Bradford campus in the UK and another 6,000 studying the  University of Bradford degrees around the world. The University’s academic strengths are in the fields of computing, engineering, health  studies and life sciences, management and social and international  studies. Recently, the International Office at University of Bradford opened its first Regional Office in Dubai Knowledge Village to offer admission support  to students who would like to study for a Bradford degree in the UK and assist in delivering it’s prestigious and worldwide recognised MBA programme in Dubai as well.   In 2001, the International Office was reorganised to become part of Marketing and Corporate Communications. By mid 2001, the International Office had a cohort of six staff. Over the following five years, the International Office continued to evolve. As international student numbers grew and the university diversified into new markets, an additional eight staff were appointed. Appendix one provides information on International Student numbers. ... The International Office is one of the areas based within the HUB along with the following services: 1. Accommodation 2. Admissions 3. Bursaries and Financial Support 4. Education Liaison 5. Enquiries 6. Finance and Credit Control Group 7. Front of House 8. Pay zone 9. Student Administration and Support The International Office has developed considerably under its current management and has played a significant role in helping the University to achieve its current high proportion of international students from over a 110 different countries with a total population of 2000 International students which represent approximately 20% of the University of Bradford total population. Today the International Office has a total of 14 staff. Please refer to Appendix Two for the International Office chart. 2. The review methodology It was usual, at appropriate intervals, for the University to review areas of its activity; not only to reflect on its operation but to ensure that the role, purpose a nd function of that area of activity still meets the needs of the organisation and the market. International activities are of increasing importance to the University and currently represent approximately 20% of the University’s turnover. Change management and successful implementation of change in any organization is crucial for the expansion and success of the organization (Balogun and Hope Hailey 2004). Therefore, the university shows interest in bringing in positive change for the betterment of the institution. Given the changes within the HE Sector, the economic situation, volatility in overseas markets and perceived increasing competition from other Universities, it is important that the

Introduction assigments Essay Example | Topics and Well Written Essays - 250 words

Introduction assigments - Essay Example lack of political will due to labor needs, limited interior enforcement funding and lack of reliable techniques of confirming eligibility for employment (Gans, n.d). I do not support illegal immigration. This is because it puts pressure on available social resources; leads to the consumption of much government resources such as health care, welfare, education among others, especially by the poorer immigrants, without giving a corresponding amount of taxes; hinders upward mobility; and fragments the sense of national identity. It is also a threat to national security and interferes with the middle class’ way of life. Additionally, illegal immigration leads to brain drain especially if the immigrant is an intellectual. Abortion refers to the termination of a pregnancy through removing or expelling an embryo or a fetus from the uterus, which results in or is caused by its death. In medical terms, it refers to any pregnancy that does not result in a live birth, and can therefore refer to a premature birth or a miscarriage that does not end in a live infant (Buisson, n.d). Abortion is one of the most divisive issues in the modern society, with the sharp divisions cutting through religion, families and politics. It is an issue, which evokes very strong judgments and feelings as well as very heated recriminations on all sides. I believe that life begins at conception and therefore, abortion is the murder of unborn children and that terminating a pregnancy before normal childbirth is morally wrong – it denies the baby the right to live. In deed, it punishes the innocent unborn baby. It can also cause medical complications later in the life of the mother in addition to causing severe psychological pain and stress. There should be no grounds for abortion even in the instance of incest and rape – applying good medical care can prevent pregnancy in such

The Craft of Public Administration Statute Essay

The Craft of Public Administration Statute - Essay Example Accommodating the suggestion either, totally or with modifications or restrictions; deferring action resting on the suggestion or looking for additional information concerning its operation and impact; rejecting a proposal because it does not have value or would be contradictory with other rules or a statute. (Magat 70) When an advisory committee decides primarily that a particular modify in the rules would be suitable, it normally asks its journalist to prepare a draft modification to the policy and an explanatory committee note. The draft amendment and committee note are discussed and nominated upon at a committee meeting. (Magat 72) Once an advisory committee vote initially to recommend an amendment to the rules, it is required to obtain the approval of the Standing Committee, or its chair to issue the proposed amendment for municipal comment. In seeking publication, the advisory committee must give details to the standing committee the reasons for its suggestion, including any marginal or separate views. (Magat 83) The reporter prepares a summary of the printed comments received from the municipal and the proof presented at the hearings. The advisory committee next takes a fresh look at the anticipated rule changes in light of the printed comments and testimony. ... Once the advisory committee decides to carry on in final form, it submits the proposed amendment to the Standing Committee for approval. (Magat 86) Stage 4. Approval by the Standing Committee The standing committee considers the final recommendations of the advisory committee and may recognize, reject, or modify them. If the Standing committee approves a projected rule change, it will pass on to the judicial conference. (Magat 90) Stage 5. Judicial Conference Approval The judicial Conference generally considers proposed amendments to the policy at its September assembly each year. If approved by the conference, the amendments are transmitted to the Supreme Court. (Magat 91) Stage 6. Supreme Court Approval The Supreme Court has the authority to lay down the federal rules, subject to a legal waiting period. 28 U.S.C. 2072, 2075. The Court ought to transmit proposed amendments to assembly by May 1 of the year in which the modification is to take effect. 28 U.S.C. 2074, 2075. (Magat 93) Stage 7. Congressional Review Congress has a statutory period of at least 7 months to take action on any rules prescribed by the Supreme Court. If the Congress does not pass legislation to decline, amend, or defer the rules, they take outcome as a matter of law on December 1. 28 U.S.C. 2074, 2075.

Women Trafficking and the Industry of Prostitution Research Paper

Women Trafficking and the Industry of Prostitution - Research Paper Example It is now a fiercely debated topic within the academic, legal, and social communities. This paper discusses and analyzes the debate over the legalization of prostitution. The argument of the paper is not to legalize prostitution. The points of the debate that the paper focuses on are the issue of ‘professionalizing’ prostitution, protecting the sexual wellbeing of prostituted women, and making a rational decision to engage in the industry of prostitution. But according to a large number of empirical findings, legalization of prostitution brings more harm than benefit to sex workers. A discussion of studies conducted in countries where prostitution is legalized is carried out in order to determine the actual nature and consequences of legalization of prostitution. Further research is needed on this subject in order to conclusively determine the merits and disadvantages of the legalization of prostitution. More country-specific studies are needed in order to decisively det ermine the universality of the harm prostitution brings to its victims. Introduction Prostitution is the ‘world’s oldest profession’. For centuries, women and children are dragged into a world that does not respect individual dignity and morality. Today, millions of women are trafficked into prostitution all over the world. Women trafficking and prostitution have been a challenging and complex issue for policymakers, the academic community, feminists, and social activists at the international, regional, and national levels. The problems posed by women trafficking and prostitution concern not just the abuse of women’s body by profiteers, but also the commodification and denigration of female dignity. The discourse on women trafficking and prostitution has spurred a rigorous debate on the legalization of prostitution as a solution to the growing problem of women trafficking. Prostitution should not be legalized. Prostitution will always be a form of ‘v ictimization’ because it is damaging to those who are involved in it. Legalization of prostitution will only further encourage women trafficking and prostitution. And prostitution could never be an unforced or voluntary form of labor because victims are not able to make a rational decision to take part in prostitution. The choices of these women are limited to economic survival only, which prevent them from making rationally based decisions. Prostitution is always involuntary and coerced because it is rooted in universal supremacy of men over women and is naturally and essentially a contemporary kind of sex slavery that is abusive, demoralizing, and damaging. The Debate Prostitution is widely described as a ‘crime without a victim’, particularly by those who argue that it should be legalized. But the truth is prostitution is a form of ‘victimization’: it is damaging to those who are involved in it, and it is usually coerced on an individual by severa l factors, mostly by poverty. Legalizing prostitution does not raise the status of the women; it merely professionalizes the industry of prostitution (Kara, 2010). Ditmore (2011) explains that the supporters of legalization of prostitution generally do not understand that legalization implies decriminalization of the entire industry of prostitution, not only the women trapped in it. But supporters of legalization respond to this by arguing that if the sex industry is legalized, it â€Å"would be subject to standard labor and occupation safety regulations, and it would be easier for women to fight the abuses and crimes that accompany their work† (Flowers, 2011, p. 49). Majority of prostituted women view legalization of the